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Very easily, the best film of the year.

An example of formalism in narrative. Opening minutes demonstrate fundamental elements of noir aesthetic. High-contrast/low-key lighting in urban location, protagonist narrating about past events, his flaws, and introduction of a seductive woman. Note her cigarette which scholars point as symbol of femme fatale's appropriation of masculine power.

前半真的好看，梦中的海妖岛上的妹子们（用无线电引人送死实在是太棒了）后半强行回归现实差评

再也回不去也忘不掉的那一天。

“我们都只是跑来跑去”孟克柔的话好适合这两个人关系。