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Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

伪记实加上伪访谈穿插其中真是让我觉得相当蛋疼。形式蛋疼也就罢了，故事方面吧，为何人活着就一定得这么苦？我一天倒是无聊，倒是觉得些许孤单，但剧中那种蛋疼、忧伤、没有自我存在感的感觉一点也没共鸣。蛋疼就俩字。也就豆瓣这种小清新聚集地能冲到8.8分。多加一星给可爱的96年小美女萨米盖尔。

“你从不在信中谈论你的现状，你的工作怎么样，你在那里交到朋友了吗？你爸爸总是担心你孤身一人在那边，但是我相信你可以照顾好自己的。”

郑均比心🫶哈哈哈哈哈哈哈

不想上学的心情溢满了整个天空。 刚好和最近看的《台风俱乐部》是相似的题材，观摩一下不同地区孩子们的青春期。共同的观感也有：琐碎又散漫。