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虽然中间一度疲软，但还是好看的。比理查德朱维尔的哀歌喜欢

柏林最佳处女作当之无愧。这片子太难拍了，两个小孩不仅走位精准，情绪也非常饱满到位，整体连贯细腻、自然流畅，简直就像纪录片一样。巴赞评价《德意志零年》的优点时说，“我们对这个孩子所思所感的了解始终不是靠直接可见的面部征象，甚至不是通过他的行为，我们只是以印证和推测去理解他”。这也是《九三年之夏》的拍法。结尾也就是这样炸裂的。

-I want a guy to show me myself. I want him to love me so deeply I’m not afraid to show him how ugly I can be. I want him to show me scars I never knew I had. But I don’t want him to make them go away. I want him to hold my hand while I nurse them myself. And I want him to cherish the bruise they leave behind. What do you want? -A ride or die.

节奏太慢，尽管两位主角很尽力在演了，剧情也毫无波澜...

详细阐述了FBI的无能和美国人只相信自己相信的特点。