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字幕是英文。。。拍的么来的个慢。。。我没看完。。。

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

1.某人真是演鬼的鬼才。2.虽不是黑泽明第一部彩色，但还是有感于，大师不因时代变迁而成被动。黑白片里的写意质感在彩色片里升级为一种魔幻，就像卓别林《大独裁者》对声音的利用，本片也在彩色中精准捕捉到黑白所不及之物。3.血与火的城池、雾与影的大地、生与死轮回交替的人间。

20190821周三19:44 少女心事不难懂，易哭小叛逆多虑跟风鄙视大笑，学校里的友谊不超过一年，人是会变化的，说老师坏话讨论男生，影片开头是度假的结束影片的结尾是假期的开始，青春在微风中飘散开来

原来“怒目圆睁”不仅强身健体，还可以赶跑坏蛋，最后又见白鲸。