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婚礼犹如提前举行的葬礼，城市仿佛埋葬回忆的墓地。骗她说只是良性阴影，还是让她与世界最后告别。西方的生命是个体的，东方的生命却是集体的。个体遵从律法，集体讲求亲缘。童年奶奶家后院捉蜻蜓的回忆，正在变革的城市里毁灭。古老的别告诉她的默契，仍在传统的家庭中流转。排出浊气，没事你也喊喊。

日本那篇最为震撼，爱到疯狂所以杀了她。真是极端的单方面爱情…

就像女主评价男主的画。一星给画面

由犯罪、追车、逃亡的美式B级片开始，以欲望、爱情、背叛的法式文艺片结束，中间是精疲力尽的追寻和莫名其妙的浪漫。这对无望的情侣，男人总是想到死亡，而女人却从不考虑这个问题，因此米歇尔就如特写镜头中那本书的副标题，是一个“准死者”（un mort en permission）

Not bad, surprisingly. The Farewell offers a window through which westerners could see and appreciate common Chinese beliefs and values manifested naturally in people's daily life and interactions. It does a good job to present modern China and its ecosystem on a micro-level, i.e. family, without sugarcoating or demonising it. I understand why some Chinese audience may argue that the view of culture differences (expressed explicitly through conversations) is superficial, but I think this superficiality actually renders it particularly true, because that very view is held by actual people - it is not imagined, and it is not profound for a purpose.