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Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

不错的一部美国恐怖片~大学时在教室看得~据说是根据美国十大鬼屋拍的~还不错 哈哈

凝视、讲述、沉默，仿佛能听到七十年代的纽约的呼吸。

和第一季一样的粗粝而诡异，加上时不时的冷笑话

那些声音被吞噬的时刻最为美妙。虽然看睡了但是感觉之后会不时想起。