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A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.

开始下坡出溜，逻辑硬伤太多。

高中蒙语课上看的，突然想起，标记一下

一开始每个笑点都猜到了，后面太高能！！每次玩真心话大冒险都有新感受【ture story!!】好爱毒舌啊！！！！！！！！！！别把你那淫乱的男女关系跟我们相提并论哈哈哈哈哈

看起来荒诞，但有时候觉得生活就是这样；一个男孩想要成长，先得离开妈妈。