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#003# 0406 黑压压坐满人，又吃了中国人开的寿司店，还是自助；硬核狠人系列电影版，扒灰虽然刺激但并非重点，「圣人」揉搓硕大的乳房产生喷薄的影像张力；永远无法度过的俄狄浦斯期，骨头也要固着在空中才是。最喜欢的段落是三人闹剧后母亲的凝望，有谁曾想过这个女人的感受呢？阿春爱上阿严简直是理所当然的：他是个十恶不赦的变态杀人狂，可是为什么比我周围所有的人都要好呢？

来看吴京和邓超，结果发现都是打酱油的。。。前期吹太高了很一般

无缘无故的、纯粹的恶，强烈的反社会情结，今村把它们全部释放了出来，看得令人不安和厌烦，但是回头想一想，又觉得有一种鬼魅般的吸引力

40分钟镜头强行重复了2个小时。让烈士们两个小时内死了3次！残忍吗

Challenge of the day: name a more memorable, instantly recognizable movie. I’d stake my bets with this. Though Steven Spielberg’s idea of cinema may not fulfill those who have tasted something more subtle & delicate, I still believe it deserves our attention and praise. Sure enough, he pours out the money and goes for the spectacular, thus making the experience of the thriller a simpler, more accessible affair to be shared by the many - if not too gratifying at times given the stakes. But is it at the cost of the story, dialogue, characters, or cinematography? Certainly not in Jaws. The trick is to build in different pieces & layers of meaning, each viewer pulling in his own haul of fish.